- FAQ
Everything you need to know
How does the process start?
It starts with a conversation. Before I open any design tool, I need to understand the problem — who the audience is, what the brand stands for, and what needs to change after people see the work. A short call or a written brief is enough to get going.
How long does a project take?
A visual identity typically takes 3 to 6 weeks. A campaign or packaging project depends on scope, but I work fast and you’ll always know where things stand. I don’t disappear between rounds.
Do you work remotely?
Yes, fully. Clients across the Czech Republic and beyond — it has never been a problem. Remote is not a limitation, it’s just how I work best.
What if I don't know exactly what I need?
That’s actually a good starting point. Sometimes the brief reveals the real problem, and the real problem is more interesting than what was originally asked. I’ll help you figure it out.
How do we start?
Send me a message with a short description of your project. I’ll get back to you within 24 hours.
Can you work with an existing brand or only from scratch?
Both. Sometimes a brand needs to be built from the ground up. Sometimes it just needs to be clarified, refined, or extended into new formats. I’m comfortable with either.
Do you do one-off projects or long-term collaborations?
Both, and I genuinely enjoy both. Some of my most interesting work has come from clients I’ve been working with for years — like the Festival Na hlavu, which I’ve been designing for since its beginning.
Do you also handle print production?
Yes. I prepare files for print, work with suppliers, and advise on materials, finishes, and costs. More than once I’ve helped clients get a better result for less money by knowing where to push and where not to.
Do you offer support after the project is delivered?
Yes. Handing over final files is not the end of the relationship. Several of my clients come back regularly for updates, new formats, or quick advice — and I’m always available for that.
Do you work on sensitive or complex topics?
That’s actually where I do some of my best work. I’ve spent years designing for mental health institutions, psychedelic research, and public health campaigns — areas where the visual language has to be precise, empathetic, and thoughtful. If your topic requires more than just a nice aesthetic, that’s a good sign we’d work well together.
