Over the years, I developed an evolving visual system built around the recurring motif of the inverted head, treating it each year as a flexible conceptual anchor rather than a fixed logo device. Each edition introduced a new interpretation of this central symbol, allowing the festival identity to remain recognizable while still feeling alive and responsive to the current theme.
The broader visual style drew on collage, bookish textures, and a more poetic editorial sensibility, reflecting both the setting of the festival and the nature of its programme. My role covered the full visual communication of each edition, including campaign visuals, social media, annual web updates, outdoor and online advertising, printed programmes, and merchandise. The work was less about producing isolated assets and more about sustaining a recognisable cultural identity over time.